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References - Songs About Songwriters

by Klaus Adamaschek & Shiregreen

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1.
Between the river and the railroad tracks A reference to Crosby, Stills, Nash and Young Between the river and the railroad tracks there’s the place where I feel at home Between the river and the railroad tracks there’s the place where I feel at home The river’s running downstream never turning back And the engines keep on rolling on and on Ooooh never turning back, ooooh rolling on and on Between the river and the railroad line there’s the place where I took my love Between the river and the railroad line there’s the place where I took my love When we’re walking along the river I hold her hand in mine When we’re sitting at the rails we're watching the stars above Ooooh holding her hand in mine, ooooh watching the stars above It's fifteen years now that the tide was turning It's fifteen years that we made this place our home Carry on and love is coming Like in an old song of Crosby, Stills, Nash and Young It's fifteen years now and the flame still burns And I'm looking forward for fifteen more to come There's so much love to make up everywhere you turn Like in an old song of Crosby, Stills, Nash and Young Like in an old song of Crosby, Stills, Nash and Young Ooooh Ooooh Ooooh Ooooh Between the river and the railroad tracks there’s a place always good for a song Between the river and the railroad tracks there’s a place always good for a song The river’s running downstream never turning back And the engines keep on rolling on and on Ooooh never turning back, ooooh rolling on and on
2.
Stolen Songs 03:58
3.
In Barbaras room A reference to Leonard Cohen It seems so long ago, these parties in Barbaras room The music loud, the lights were low, 'til someone said “play Leonard Cohen” In a moment the conversation stopped, tears were falling as the wine was flowing We listened to the words of god, when god is calling, what do you know? We did know nothing Still I don't know each single Cohen song And I don't know where the friends have gone But I know that I love you and I want you from now 'til the end of my days It seems so long ago, these lessons in Barbaras room Me and my guitar sixteen years old, Barbara asked me for songs of Cohen So I taught her Suzanne and Marianne and she brought her girlfriend along I married that girl some years later then. Was it love? We were so young, What did we know? Still I don't know each single Cohen song And I don't know where this girl has gone But I know that I love you and I want you from now 'til the end of my days And now I look around me, at the age of fifty nine Leonard Cohen died last year but the two of us we still have some time So don't lose yourself in memories of a life that might have been I'm thankful that you're here with me as a lover, as a friend Today is all we have Still I don't know each single Cohen song And I don't know where our lives are going But I know that I love you and I want you from now 'til the end of my days
4.
References 04:42
References So many songs that I always will remember So many songs that are always on my mind From dusk til dawn, from January to December With a bottle of water or a bottle of wine Precious songs for soulful reasons Precious words with soulful rhyme Songs for a lifetime, songs for a season Precious memories of precious time And if you should ask me for my references And what is the ground that I'm walking on Wherever I go, wherever my heart is I'm always guided by some old songs 1973 only me and „The silver tongued devil“ What would I be without them old Kristofferson songs 1974 hoping for more „Time in a bottle“ But I heard Jim Croce was already gone So many songs, so many questions So little answers, so little time So I took off and I followed the west wind With a bag full of songs that I made mine And if you should ask me for my references And what is the ground that I'm walking on Wherever I go, wherever my heart is I'm always guided by some old songs
5.
Under Joshuah trees A reference to Emmylou Harris and Gram Parsons Gonna tell you a story, it is sad but true It's 'bout a rock'n roll cowboy and a girl named Emmylou He had made his way into the halls of fame She was just a singer, no one knew her name She was singing in his band in the summer of 73 But it all ended in September under Joshuah trees, under Joshuah trees Her love, it was as pure as a diamond But life's a river, so wild and strong Gram Parsons died in a lonely hotel room And the sweet young rose, she went on alone She tried to give him shelter from the pouring rain To help him fight against the devil in his veins Could have been the greatest love that Nashville's ever seen But now it's only a story about love that might have been Strong winds were blowing, hot desert breeze As they burned his body under Joshuah trees, under Joshuah trees Her love, it was as pure as a diamond But life's a river, so wild and strong Gram Parsons died in a lonely hotel room And the sweet young rose, she went on alone She wrote a song for him full of grief and grace She'd walk from Boulder to Birmingham just to see his face It was a great success and she became a star But she never will forget Joshuah Tree Park, Joshuah Tree Park 'cause her love, it was as pure as a diamond But life's a river, so wild and strong Gram Parsons died in a lonely hotel room And the sweet young rose, she went on alone Gram Parsons died in a lonely hotel room And the sweet young rose, she went on alone, she went on and on
6.
All along the Atlas mountains A reference to Mike Batt Well I saw the Atlas mountains for the first time in my life Just a song from Mike Batt and some stories from my wife It was the last month of winter, the air was wet and cold Even snow in the Sahara, at least that's what we're told Even snow in the Sahara, at least that's what we're told All along the Atlas mountains 900 miles on dirty roads We were hopping between centuries, rich and poor and new and old Had some darker days behind me, waiting for brighter days to come And in a church in Casablanca I saw the colors of the sun In a church in Casablanca I saw the colors of the sun At the foot of the Atlas mountains in the town of Marrakesh In a magical medina you get anything for cash We got lost in the backstreets in the quarter of the mud Sometimes you have to see the backside to see the good you got Sometimes you have to see the dark side to see the good you got Oh my love day is night and night is day Oh my love hold me close I've lost my way Oh my love so many roles I had to play Oh my love so many dues I have to pay Oh my love don't you ever go away Oh my love I love you more than I can say Well I saw the Atlas mountains for the first time in my life
7.
Every town is worth a song A reference to Ralph McTell We have seen a lot of towns, we were northward-, we were westwardbound From Trondheim to the San Francisco Bay Some of them they had a soul, some of them a heart of gold But all of them were diamonds on our way We stayed there for a while, we said hello, we said goodbye Then we packed our bags and hurried on I wanna keep them in my mind, save them for the empty time 'cause I know every town is worth a song Remember the song of Ralph McTell, he painted London oh so well And Jaques Brel portrayed the piers of Amsterdam Remember we met Jackson Browne on a corner in old Winslow town And Albert Hammond sang “New York City here I come” Billy Joel he touched my heart with his song 'bout Leningrad Yes, every single town is some ones home A part of me needs a home, a part of me needs rambling on 'cause I know every town is worth a song So my love let's carry on, another town, another song There are still so many diamonds on our way I love you for your rambling soul, I love you for your heart of gold And I love you for your smile in Santa Fe Let's stay here for a while, let's say hello, let's say goodbye And then we'll pack our bags and hurry on I wanna keep them in my mind, save them for the empty times 'cause I know every town is worth a song
8.
From that day on A reference to Mark Knopfler When I first heard your guitar Back in 1978 I had to stop the car All the traffic had to wait You were singing about some sultans But that didn't mean a thing It was your Stratocaster sound That made my heart swing From that day on I was your follower On my changing ways you were a guiding star From that day on there was only one guitar And it was played with a golden heart From that day on Then I heard you nearly died At the age of 54 After the crash with your motorbike There was nothing like before When you have looked behind the mirror You sing a different song But we're thankful you're still here And we hope you stay for long From that day on I was your follower On my changing ways you were a guiding star From that day on there was only one guitar And it was played with a golden heart From that day on
9.
One more song A reference to Bob Dylan and many more Here's to all the songwriters who wrote these protest songs A billionaire is president and a fool rules in Pyongyang The polar caps are melting, the Marshall Islands will soon be gone Here's to all the songwriters, it's time for one more song Here's to Woody Guthrie, yes, this land is still our land Here's to Bob Dylan, the answer's still blowing in the wind Here's to Country Joe, still don't know what they are fighting for And here's to John Lennon, there's nothing to kill or die for Here's to all the songwriters who wrote these protest songs A billionaire is president and a fool rules in Pyongyang The polar caps are melting, the Marshall Islands will soon be gone Here's to all the songwriters, it's time for one more song And here's to Pete Seeger, where have all the flowers gone? And here's to Tom Paxton, still waiting for peace to come Here's to Roger Waters, Oh Maggie, what have you done And here's to Joan Baez, yes the president, he is a nasty man Here's to all the songwriters who wrote these protest songs A billionaire is president and a fool rules in Pyongyang The polar caps are melting, the Marshall Islands will soon be gone Here's to all the songwriters, it's time for one more song Thanks to all the songwriters you did the best you could You couldn't change the world but you never said you would You said what had to be said and you did what had to be done Thanks to all the songwriters and please give us one more song You said what had to be said and you did what had to be done Thanks to all the songwriters and please give us one more song
10.
Down the endless road A reference to Robert Earl Keen and friends Sometimes in the night I wake up from a dream There are memories that haunt me 'bout places I have been And I wanna pack my bags and go there again And if I had a choice I know where I would go Down the endless road to Challis/Idaho Been there some years ago, not a single drop of rain And I lost some of my soul in the deserts and the plains I know we gotta go to find it again And I think we gonna start where the hot winds blow With some music for the heart in Challis/Idaho Had some talks with Rodney Crowell, his words were wise and strong Some wine with James McMurtry and I heard his cool cool songs Some jokes with Guy Clark, what a shame that he is gone But the best of all the memories was the end of the show With Robert Earl Keen singing 'bout Challis/Idaho We were following the trails not so many years ago Walking through the canyons where the wild rivers flow Looking for a life where our dreams can grow C'mon let's do it again and I know where we can go Down the endless road in Challis/Idaho
11.
When the last buffalo is gone A reference to Neil Young Born in North Ontario (he said it in a song) Four dead in Ohio (he said it in a song) Windows down in Alabam (he said it in a song) The needle and the damage done (he said it in a song) They massacred the buffalo (he said it in a song) The poison tide of Monsanto (he said it in a song) This land is our land (he said it in a song) Let's impeach the president (he said it in a song) But when the last buffalo is gone what will happen to the world he leaves behind Will he leave more than a song or a skull on a fence as a warning sign How he crushed the prarie sod into dust with his hoofs His wild head down he's pawing on in a cloud of dust as he moves When the last buffalo is gone what will happen to those he leaves behind The last buffalo he's a friend of mine The last buffalo he's a friend of mine The last buffalo
12.
Here's To Joan A reference to Joan Baez Here's to you who fight with words May your thruth always be heard May your songs fill the air 'til the world begins to care
13.
Townes and me A reference to Townes van Zandt I'm not sure we could have been friends, me and Townes van Zandt His songs, some of the best but his life, a total mess But in my dreams we ride through New Mexico Townes and me in an old pick-up truck From Santa Fe all the way to El Paso In the land of the free we're looking for some luck But this is just a dream They stole his childhood memory in some failed therapy His depression it lingered on, brought us all these lonesome songs And in my dreams we ride through New Mexico Townes and me in an old pick-up truck From Santa Fe all the way to El Paso In the land of the free we're looking for some luck But this is just a dream Too much drugs and too much booze and so much love to lose Most of all he needed friends, some were with him in the end We rode on highway 25, me and my wife And we listened to his songs, the sun was shining on Raton And in our dreams we ride through New Mexico You and me in an old pick-up truck From Santa Fe all the way to El Paso In the land of the free we're looking for some luck And this is still our dream
14.
The last goodbye A reference to Tom Petty It's the last goodbye, now it's time to go You were trying to fly down the dirty road There's nothing to say than to say goodbye No dues to pay, no tears to cry It's the last goodbye The last goodbye It's the last goodbye The last goodbye Tom Petty is gone I don't know where He left us his songs and some dreams to share He wouldn't back down, he opened new doors But he won't come around here no more It's the last goodbye ... It's the last goodbye now it's time to go Together we'll fly down the endless road There's nothing to say than to say goodbye Today was the day, tonight is the night It's the last goodbye … It's the last goodbye (Tom Petty is gone) The last goodbye (I don't know where) It's the last goodbye (he left us his songs) The last goodbye (and some dreams to share)
15.
References reprise These were my songs, they were written to remember I carried them long and I did the best that I can Though sometimes it feels like it's almost November Believe me I still got so many plans Some years ago I met some of my heroes We shared some songs, we shared some wine And though I don't know where the end of my road goes I surely can say I had a good time And if you should ask me for my references And what are the roots I'm growing from Where ever I go, where ever my heart is I'm always guided by some old songs And sometimes I feel I'm part of a song

about

Personal reference to great songwriters
Successful Shiregreen album “References” is a fascinating journey through 50 years of songwriting
Could it be? An album full of new, previously unreleased songs by songwriter legends such as Leonard Cohen, Joan Baez, Neil Young, Bob Dylan or Tom Petty? Well, of course not. But when putting on „References“, the new record by Shiregreen, you can actually meet all these great artists again. Songwriter and singer Klaus Adamaschek put forth all his creativity, courage and emotion to memorialize his musical heroes and companions – not with cover versions, but with reference songs written by him. „References“ is a , captivating, moving concept album – and a lot of fun to listen to.
For over three years 65-year old songwriter Klaus Adamaschek, who coined his first songs when he was only 12 years old, worked on his project “REFERENCES – SONGS ABOUT SONGWRITERS“. “I wanted to pay my reverence to all the great songwriters that shaped me as an artist and accompanied me over the years. At the same time, I wanted my audience to feel the roots from which not only my music, but also the attitude towards life of my generation is based on”, Adamaschek says about his motives. The German philologist and lifelong musician already proved that he knows the ins and outs of writing songs with his previous ten studio recordings, and also by winning the international songwriting contest “Comprosers” in 2008 and successfully touring the Western United States in 2011 and 2019.
Every track on „References“ is dedicated to a famous songwriter, and each song tells a story of its own. Adamaschek often comments on touching episodes from the musicians’ lives – but at the same time, he also weaves these stories together with his own biography. In classical songwriting fashion, the songs are about important encounters, painful changes in life and and wondrous personal transformations. Each and every track is infused with quotations of and allusions to the works of his heroes, to the delight of the listeners that can revel in their own memories.
Musically, the album is tremendously versatile – Adamaschek consciously and proficiently plays with the defining stylistical characteristics of the artists portrayed, thus creating many moments in which the listener is heavily reminded of the musical role models at the heart of the song. And still, each song remains a typical Shiregreen song shapes by Adamaschek’s warm, folky voice, delightful harmonies and the relaxed, confident sound of the Shiregreen band. All nine musicians contributing to the record are making sure that each of the 15 tracks on “References” is a distinct songwriting gem.
Also remarkable is the lovingly designed album artwork. The 36-page booklet offers two pages of space for every song – alongside the original English lyrics, a German translation, liner notes and song-specific artworks are provided. The dedication of the whole Shiregreen team – from songwriter and musicians to photographers, graphic artists and the other members of the production team – becomes evident in each detail. All parties involved have pulled together to make „References“ a consistent, convincing work of art.
“References“ was recorded by Wolfgang Manns at the renowned Toolhouse Studio in Rotenburg an der Fulda, Germany und was released March 29, 2019.The album was highly praised by audiences and critics and was "Album of the Month" on several major German radio stations.
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credits

released March 29, 2019

all songs written by Klaus Adamaschek
Klaus Adamaschek: vocals, guitars, harps
Tom Eriksen: guitars
Paul Adamaschek: bass, vocals, percussion, cajon, piano, harmonium
Marisa Linß: vocals, percussion
Kristin Alsbach: flute
Sascha Schmitt: accordion, organ, piano
Lukas Bergmann: violin
Lukas Biermanns: drums

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Klaus Adamaschek & Shiregreen Rotenburg An Der Fulda, Germany

Klaus Adamaschek touches his audience with intelligent songwriting, a charismatic voice and deep thoughts. Musically, he combines influences from American folk, rock and country music with the classic German singer-songwriter tradition. Klaus Adamaschek has already released 14 albums as a solo artist and also with his Shiregreen Band. His songs and albums are highly praised by the critics. ... more

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